I read the article “Discourse and Decoration:
The Struggle for Historical Space” by Paul Greenhalgh from
the book “Ceramic Millennium, Critical Writings on Ceramic
History, Theory, and Art.”
This article had some good points in how ceramics is viewed by Art
Historians and how they compare it to other fine arts and especially the avant-garde. Greenhalgh started out by describing that
ceramics is misjudged and with regards to art history, ceramics isn’t
looked at for its profession but only for its history of being art. So, before people start judging or looking at
ceramics as a profession they need to look into the history and past of it as a profession before we can judge or make assumptions on it today.
Ceramics is also not like any other art form and should therefor
not be compared to anything else. Greenhalgh stated that
it should be viewed as its own medium and nothing else. There was great emphasis on the avant-garde
in this article stating that ceramics is nothing like it. Art history is very
interested in the avant-garde and they describe it as wanting to change the world,
but ceramics doesn’t want to change the world, it
only accepts the world its in and the styles change with its time frame or surroundings.
The most important point that Greenhalgh made was about the
history of art and how we interact with it now.
It is not about the process of making an object but the outcome, and how
it is handled and viewed. But, this is
such an old art form that no matter who is enjoying the ceramics, either the maker or
the viewer, both are taking part in something that is bigger than
themselves. They are taking part in a
vast history known as ceramics.
You raise a good point about ceramics not being like any other art form and therefore being misjudged. I wonder how much as artist do we misjudge are own work and medium based off what we learn in art history and even just regular world history.
ReplyDelete