In the first chapter of “The Anthropology
of Turquoise” author Ellen Meloy paints for the reader an incredible picture of
the physical landscape that surrounds her. Meloy not only conveys a beautiful image
of the Colorado Plateau, but also describes the colors found in this landscape
with incredible detail. She sees these amazing colors in the desert, feels
them, assigns personalities to them, and finds a deep connection to them.
She says that “Each of us possesses
five fundamental, enthralling maps to the natural world: sight, touch, taste,
hearing, smell.” This is an important thing to remember, as colors can communicate
more to the viewer than simply eye appeal, colors can have an impact on many
different levels.
Although she does an impressive job of
describing colors found only in a certain environment, in the passage she also
almost doubts her own ability to do so, saying that “Colors challenge language
to encompass them…it cannot, there are more sensations than words for them.” Even
though she says this, I still feel that I have never read such a great and
detailed account of the intricacies in colors found in their most raw form. From
the very first sentences, I found that these colors and the way she speaks
about them instantly brought me to that environment, I felt as though I knew
exactly what she was describing, and even shared the same feelings toward those
things.
I think that I feel such a connection to these things because
nature, as for Meloy, is such a major part of my life. Reading this passage
about color and the different effects it can have on someone has made me think
more deeply about what it is that I want the colors I use in my artwork to convey
to the viewer. She recalls “…the Grand Canyon bathed in the Copper light of a
summer sunset…” and how “…late winters sharpness still wraps the ridge in
vibrant, clear air…” Both of these images resonate with me in a major way, and
these are the kinds of descriptions that I hope to give to the colors that I
want to use for my own work.
Lizzie, I think it is incredible that you connected so well with this article. I definitely see how nature impacts your forms. Especially the worm eaten wood. I think it will be great to expand upon that connection and where that connection is in your everyday life, definitely through color. What colors resonate with you the most in nature and how that translates over to form?
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